Richard also gave us advice for our books, like:
- Make a sequence that surprises, challenges, puzzles and asks more questions than give answers.
- Consider rhythm and flow of work. Sequencing photographs is like composing music.
- Make the edit and the sequence, and then do it again and again, because it can always be done better.
- And finally, when you have something you really think works, make a book dummy which is as close as possible to the final book. This will give a sense of the outcome of the work on both a visual and tactile level.
Later, after making my fifth dummy book at university, I showed the finished book to Richard, and he said that the images are really good, but I need to consider more about the book. For instance- he said to think about what book size would be ideal for this project, and what does the size infer (A5 might be seen as more intimate, like a small book hidden away in a loft).
Furthermore, he stated to "play with the layout more, like putting images together", to think about image size and what they mean, as well as playing with a portrait orientation for the book, to see how it looks.
Finally, to clarify what the book is about, he said to include a foreword/conclusion or a written piece of work.
Overall- it was good to get advice from someone who hasn't seen my work in a book format before, especially from someone who is knowledgeable about photobooks. Because of this- I will use the advice to develop the book further.